Mick jones foreigner2/3/2024 ![]() PopMatters critic Evan Sawdey felt that the non-single album tracks on Foreigner were more successful than their counterparts on subsequent Foreigner albums. ![]() Īllmusic critic Andy Hinds said that for suburban teenagers in the 1970s the "immaculate rock sound" on Foreigner "was the perfect soundtrack for cruising through well-manicured neighborhoods in their Chevy Novas," and praised the band's "pure rock craftsmanship." But there is far too little point of view to make any of it commanding." Hartford Courant critic Henry McNulty said "There's something good beginning here, and the sooner you get in on it the better." Annison Star reviewer Mike Stamler felt that most of the songs were "sanforized, sanitized and safely sterilized into three basic chords" with "immature lyrics," leaving little variety on the album, and suggested that more instrumental solos would have been beneficial. Los Angeles Times critic Robert Hilburn summed up his contemporary review of Foreigner saying "The production work is crisp, the melodies are serviceable and the vocals are eager. The first attempt at mixing the album was done at Sarm Studios, London, but as they were dissatisfied with the result, the album was re-mixed at Atlantic Recording Studios by Jones, McDonald and Jimmy Douglass. I always like to involved people and get a team spirit going, which is what we did here. Both Ian and I worked closely on the way the album sounded. I had already gotten a lot of experience of working in studios, through collaborating with some top producers like Glyn Johns. John and I are down as the sole producers. I can show you my contract for the album. Typical of musicians, they wanted their names included, but they had nothing to do with what happened on the production side, although later on they remixed the album without John and me. ![]() According to Lyons:Īctually, Mick and Ian did very little on the production side. There is some disagreement about the roles that Jones and McDonald played in producing the album. Instead, Sarm Studios owners Gary Lyons, who had worked as an engineer on several Queen albums that Baker produced, and John Sinclair served as producers along with Jones and McDonald. Jones had wanted Roy Thomas Baker to produce the album, but he was not available. But I deserved a lot more of the credit than I was given. He gave me a look that said he wasn’t happy with the idea, and he reluctantly agreed. And even with Long, Long Way From Home I remember telling Mick that I wanted to have a share of the writing, because of all I’d put in to making it happen, especially on the vocal arrangements. I should have had co-writing credits on a lot more than just one song. And I’m still bitter about the way I was treated by some people connected to the band. I had a lot to do with the development of the songs. McDonald claimed that although he received a writing credit only on "Long, Long Way from Home" he had a significant role in writing several of the other songs on the album. After the formation of the band, Gramm and Jones worked on several other songs, including "Long, Long Way from Home" (along with Ian McDonald), "Cold as Ice" and "I Need You". Lead singer Lou Gramm sang three of them – "Feels Like the First Time", "Woman, Oh Woman" and "At War with the World" in his audition to form the band. Jones had written several songs that wound up on Foreigner prior to the formation of the band. It also features album tracks such as "Headknocker" and "Starrider", the latter of which features a rare lead vocal from lead guitarist and co-founder Mick Jones. It spun off three hit singles, " Feels Like the First Time", " Cold as Ice" and " Long, Long Way from Home". Foreigner is the debut studio album by British-American rock band Foreigner, released on 8 March 1977.
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