Vfx compositor1/30/2024 What’s the best piece of compositing advice you’ve ever been given? The step from roto paint to comp was probably my biggest challenge, but I was lucky enough to work with fantastic people that made the transition a lot smoother. What’s been the biggest challenge in your career? We also all share the same goal to make visual effects beautiful and fun, but most importantly our work and time is appreciated. There is a really good work-life balance at Outpost and projects are well managed which avoids a lot of last-minute tasks and the accompanying rush. How would you describe the atmosphere and culture at Outpost? I came to Outpost because I wanted to try something new and work with a team that prioritizes people without compromising on the quality of the work they produce. I have good memories of this project the work was exciting and challenging, but I was working with a great team of artists which made the experience all the more enjoyable. My first project in the industry was Pirates of the Caribbean: Dead Men Tell No Tales. Is there a project or particular shot are you most proud of? I can’t exactly pinpoint why, but I remember enjoying rigging 3D creatures or characters and creating tools to help the animators. I had a real passion for rigging before I decided that I wanted to be a compositor. If you didn’t do composition, what other VFX discipline would you like to do and why? I made the jump across to comp in 2018, working in a number of studios including Rodeo FX, Framestore and Method Studios. After I graduated from Bart College in Quebec City five years ago, I moved to Montreal and started as a roto paint artist at Atomic Fiction. I studied 3D animation but it was only in my last year of school that I decided I wanted to work in VFX as a compositor. Can you tell us a bit about how you got into VFX?
0 Comments
Leave a Reply.AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |